Musical Special designed to showcase the minimal talents of Raquel Welch. Highlights include: a scene featuring Welch and Mickey Rooney, portraying a cab driver with seemingly magical abilities; a scene featuring Welch in a subway station performing a medley and dance sequence; a scene wherein Welch attempts to sing “Money Makes the World Go Round”; Raquel performing a version of “We Are Family” in a martial arts training class; Rooney and Welch performing “Heaven on Earth”; Welch performing “Don’t Rain on My Parade” while escaping from a straitjacket; Welch performing “A Quiet Thing”; and Welch and Rooney performing “They Can’t Take That Away from Me.”
This feature-length documentary film chronicles the final major tour for legendary rock band Rush. It is an intimate view 'under the hood' of a historic moment from the perspective of the band, their fans, crew, and management. Featuring interviews with the band throughout their sold-out 2015 40th Anniversary tour, the film also shows rarely seen backstage footage capturing the final moments of life on the road. Highlighted as well is the impact on the band's fans and the world that has been built around the beloved Canadian trio. This is the final touring chapter of a band that has meant so much to so many fans around the world. With narration by Paul Rudd. Feature run time: 1 hour 37 minutes; Bonus content: 67 minutes.
When the Lutheran pastor Roland retires, the young priest Roll shall replace him. He plays the trumpet, loves Jazz and his methods are unconventional: From the first day on he offends the village's notables, but he doesn't care so much since he especially targets the youths, wants them to get back to the church again. However the mayor agitates against him, manages to endanger Roll's success. The conflict leads to vandalism and open violence against Roll.
This documentary interviews the singer Djordje Balasevic, his fans and some ex-Yugoslav celebrities before his concert of in Pula Arena on June 6, 2001.
When Ethan, an Emo kid who hates almost everything, falls in love with Trinity, a good Christian girl with a passion for life and her Lord Jesus Christ, will they be able to live happily ever after?
Live at the Royal Albert Hall finds Culture Club celebrating their 20th anniversary with an infectious and expansive grandeur, all while basking in the love of adoring fans. The show actually starts with a great joke on the audience: Boy George, looking not a day over 20, glides onstage in his once-trademark derby and beaded hair extensions, delivering a warm and welcome vocal on "Do You Really Want to Hurt Me?" The startled crowd soon realises he's an impersonator. The real, fortysomething George O'Dowd, looking a lot less androgynous and a tad thicker than in his New Romantic days, smiles self-deprecatingly and launches into a pleasing set of white soul ("Cold Shoulder", "Miss Me Blind"), stark gospel ("That's the Way"), stirring raga-rock ("Bow Down Mister") and even a classic (a lovely cover of Bowie's "Starman", complete with audience participation and muscular guitar by Roy Hay). It's a fine show all around.
After a career spent mining his music from the shadows, one fan creates a chain reaction for the lead singer of a black metal band.
A musical comedy divided into five segments: Mariantonia, Cuttica, Il Fine Dicitore, Fregoli and Il Censore.
A journey into the life of blind jazz musician Caitlin Smith as she explores how her voice as a musician and teacher has become a tool of identity, resilience, and empowerment.
An American girl takes charge of her scottish grandfather.
“Dub Echoes” is a documentary that traces the origins of the Jamaican dub music and it’s influence on the development of hip hop and electronic music.The film shows how the Jamaican invention called dub ended up influencing much of the music we hear today, from electronic music to hip-hop, transforming the studio in a musical instrument and giving way to all of sonic experiments.
Best known as the inventor of the Moog synthesizer, Robert Moog was an American pioneer of electronic music, and shaped musical culture with some of the most inspiring electronic instruments ever created. This "compelling documentary portrait of a provocative, thoughtful and deeply sympathetic figure" (New York Times) peeks into the inventor's mind and the worldwide phenomenon he fomented.
After being fired from media conglomerate, Juban TV, due to creative differences, Cameron takes it upon himself to start his own TV company, Ginger Root Productions.
A parody of the film The Magnificent Seven about seven transport company inspectors who bravely fight a gang of stowaways.
Two musicians try to find balance between their music and their love for one another.
Ah Peng meets a girl named Jinhua at a festival and they agree to meet the next year but she fails to turn up. He searches for her and finds other girls named Jinhua.
In 2001, La Ley participated in MTV's Unplugged series. The album La Ley MTV Unplugged contains the recordings of the live concert and is to this date the band's best selling album. After the album's success, La Ley was finally able to internationalize themselves and they make their way to foreign countries such as the United States. The album contains older songs from previous albums plus three new songs. Despite this fact, there were no songs in this album from their albums La Ley or Cara de Dios, which were their first 2 albums.
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